What would you call this movie? Help title the first in a series of relief cups.

What would you call a movie featuring Martha Stewart, Ron Paul, Muhammad Ali, Captain Jean Luc Picard, a bear, a rabbit, Giorgione’s Venus, and the flying saucers from Earth Versus the Flying Saucers? Let me know, and it might end up the title of this piece.

Influenced by artists such as Adrian Saxe and Jeff Koons, this series of relief sculptures is based on plastic fast-food promotional cups. Using casts of actual fast-food cups as backdrops, each relief incorporates historical, art historical, political, and pop cultural figures in a movie-poster style collage. The form of the handle is based on the Times New Roman quotation mark. The final pieces are slip-cast ceramic with gold luster.

The first step in producing these sculptures was to slip-cast the original plastic cup (in the first instance, a Subway cup). I then added thin sheets of slip (~1/8 inch thick) cut to conform to the main elements of the design. The majority of the sculpting was accomplished subtractively, but one of the primary benefits of working in casting slip is that, when necessary, mass can also be built up by brushing additional slip onto the surface. I then took a silicone mold of the rough prototype to cast in plaster. The harder material allowed for greater control in the final stages of refinement and detailing. I took an additional silicone mold of this finalized prototype, largely for insurance against damage during the plaster mold making process. It is good that I did, as I went through several prototypes while making the final, four-part plaster mold.

To facilitate the casting process, I made a custom sponge, cast from 10lb two-part expanding foam, to fit inside the cups. This served two functions: first, it minimized the risk of deforming the walls when using compressed air to free the casts from the mold; second, it provided a safe and convenient way to hold the cups while running seams and refining each cast.

Process from left to right: plaster mold of original Subway cup (cup not shown); slip-cast cup with preliminary relief sculpture; first silicone mold; refined plaster cast from first silicone mold; handle in plaster mold; second silicone mold; final prototype cast from second silicone mold; custom sponge cast using 10lb two-part expanding foam; plaster mold taken from final prototype, with cast cup; cleaned and assembled cups.

Below is the completed first piece:

And a compilation of the relief pieced together in Photoshop from forty separate images. For more images of the first cup, click here.

 

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The Great Flag-Carrier of the Proletarian Culture (from the International Council on Cross-Cultural Dynamics)

The Great Flag-Carrier of the Proletarian Culture is the second in a series of steaming teapot sculptures entitled I3CD, or the International Council on Cross-Cultural Dynamics. Read about it here, or check out The Great Flag-Carrier of the Proletarian Culture by clicking the image below.

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Doris Day Teapot

Here is my new figural teapot, a likeness of Doris Day created for collector, dealer, and author Mark DelVecchio. For more, click the image below.

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“Doctor Bones” Teapot Title: On the Edge of Forever

I have settled on the title On the Edge of Forever for the Doctor Bones teapot in Laurie Beth Clark’s Ossuary. This is a reference to the Star Trek episode “The City on the Edge of Forever,” in which a maddened Doctor McCoy leaps through a sentient portal in time, The Guardian of Forever. To see more, click the image below.

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“Doctor Bones” Teapot

I created Bones for Laurie Beth Clark’s Ossuary.  I have yet to decide on a title, so feel free to suggest one. To see more of Bones, click the image below.

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Pity (from the International Council on Cross-Cultural Dynamics)

Pity is the first in a series of steaming teapot sculptures entitled I3CD, or the International Council on Cross-Cultural Dynamics. Read about it here, or check out Pity by clicking the image below.

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Article in Ceramics: Art and Perception

My article on Teri Frame’s six part performance series Pre-human, Posthuman, Inhuman, first performed at the Project Space of the 2011 NCECA Conference in Tampa, FL, has been accepted for the December, 2012 issue of Ceramics: Art and Perception.

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Ceramics Monthly Review

My sculpture, Steeped, will be featured in Tony Merino’s review of the 2011 NCECA National Student Juried Exhibition, appearing in the September 2011 issue of Ceramics Monthly.

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Sunken Congress Ends Session Early

It seems the Sunken Congress has given up its deliberations and gone home. Below is an image of where they were last seen. No sign of them remains.

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Steeped in Progress

Stephen Hawks, ceramic artist and fellow Florida State University MFA Graduate, just sent me an old picture of me working on Steeped. It’s always interesting how alien figural work looks when midway through the process.  See Stephen’s functional pottery and sculpture at his website.

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