Combining dense masses of merged models with medieval and neoclassical figures and motifs, these sculptures identify the nebulous, physically inaccessible, yet omnipresent spaces of digital experience with concepts of the metaphysical in the European Christian tradition. Chaotic accretions of digital objects, some familiar, some strange, become the landscape of that experience, a cultural cacophony at once bewildering in its complexity and comforting in its familiarity.

The Assumption

St George